"The [affluent] Hindus left behind palaces [in what became Pakistan [and the [poor] Muslims abandoned hookahs and broken earthenware utensils [when they left India]."
Throughout my wonder years I heard tall tales of vast 'poodinay kay bagh' (gardens of mint) and tall 'mahallaat' (palaces) that some Muslim immigrants claimed they 'left behind in India'. Years later when I took up street-photography, I noticed that most of the British Raj-era buildings in Lahore were named after Hindus, Sikhs and the English.
Amrita, our old neighbour
We occupied one flat in a group of flats that stood on Temple Road. They were owned by rich Hindu landlords who fled to India during the bloody partition. There were numerous residential buildings littered about the ancient city, one was Ganga Ram Mansions on the Mall and this is where Amrita lived and died.
Amrita Sher-Gil lived less than a kilometre away from where I spent my childhood and youth. I recall visiting a friend of mine who lived in flat number 20 of the Ganga Ram Mansions; twenty-five years earlier Amrita lived in flat 23. The layout of all the flats was the same: two rooms on the ground floor, a wooden staircase at the entrance that led straight up to two more rooms on the first floor, and an attic (baraasti).
Star-studded Lahore
Let us return to Amrita's story. Once done with decorating her flat at the Ganga Ram Mansions, Amrita turned it into a meeting place for a select group of people. She wholeheartedly participated in the cultural life of Lahore, gave talks on the radio (Lahore radio station was functional in 1937) and met as many interesting people as she could.
Amrita chose Lahore to give her art a chance to survive. The famed short story writer Rajinder Singh Bedi was born in Lahore and started his career as Mohsin Lahori but finally migrated to India after partition. Amrita Pritam Kaur spent her formative years in Lahore. Professor Ahmed Shah 'Patras' Bokhari, Kartar Singh Duggal, G.D Khosla and Mangat Rai (brother of Miss Mangat Rai the principal of Kinnaird College), artists Abdur Rehman Chughtai, Satish Gujral (eminent painter and brother of former Indian premier I. K. Gujral), and Roop Krishna, all lived here.
Amrita became friends with Nawab Muzaffar Ali Qizalbash, Jamil Asghar (later a High Court judge), Rashid Ahmed (married Zeenat Rashid and whose daughter married Senator Javed 'JJ' Jabbar) and Professor U. Karamet (the Vice Chancellor of the Punjab University would signed papers with 'OK–UK').
Lahore had become a melting pot of ideas and attracted poets and writers like Faiz Ahmed Faiz, Ahmed Faraz, Sahir Ludhianvi, Intizar Hussain, Sir Muhammad Iqbal and the rebel Saadat Hasan Manto. Many of them would assemble at India Tea House (renamed Pak Tea House after the partition of 1947). Lahore finally became a centre for Pakistan’s left-wing Progressive Writers Movement.
Nehru's biography
Jawaharlal Nehru allegedly had meetings of a very private nature with Amrita Sher-Gil at Lahore's Faletti's Hotel. He later sent her a copy of his autobiography. She thanked him with a candid note:
Amrita became an avid member of the city’s pre-partition cultural scene whose select members gathered fortnightly at Khushwant Singh’s home. He started his law practise in 1938 (the same year Allama Iqbal died in Lahore), joined the Indian Foreign Service in 1947 and went on to become a famed novelist and a journalist.
In late October 1937, Amrita decided to once again 'test the waters' of the Lahore art world by holding an exhibition of her works. On Sunday, 30th November, Amrita and Victor went to the site to make the final arrangements for the second week of December in the hall of the Punjab Literary League, above a fashionable café facing The Mall.
Excitedly Amrita commenced work on new paintings that would be displayed as the latest work. From her house, she could see some mud houses and a man with four buffaloes. This was her last painting; it showed her love for all things Indian.
On Wednesday, 3rd December 1941, Amrita became very ill with what she, and her doctor husband thought, was dysentery. Dysentery in India being quite common, neither of them suspected a fatal illness.
Amrita planned to hold her first major solo exhibition at Faletti's Hotel in late December of 1941 but she died on 6th December, aged only 28.
The next day was a cold Sunday. Amrita's parents wanted a Sikh style funeral. Her body was carried to the burning ghat on the banks of the river Ravi. The ceremony was attended by her parents, sister Indira and her husband Kalyan Sundarm. Also included in the forty friends was Khuswant Singh.
Artists and writers live and die by their brush-strokes and pens. Amrita Sher-Gil was neither a bureaucrat nor a politician but rather a creator in a world full of empty-headed onlookers.
Daggers drawn, but why?
Religious or political ideologies need not close our minds to the beauty that is in everyone and everything, beauty created by the Exalted Creator and Bestower of forms (al-'Alī, Khāliq, Musawwir). Only those misunderstand art whose eyes cannot fathom abstraction, symbolism, geometry and other disciplines. What is not understood is always feared in repressed societies.
Amrita's broad forehead indicates she was generous and intelligent, her lips show she was full of life and love. As for her flirtatious nature, this was due to the example set by her mother, the neglect of her apparently religious and philosophical father, the overly liberal education, the upheavals of time, and the wounds inflicted by society.
One could say that some are born crooked but it is clear from Amrita's story that society's crooked factory does produce many faulty products. One might be born a saint but it is certainly the upbringing and the company that turn one into a devil.
If one were to speak to the elected custodians of our State, they will cringe at Hindu or Sikh names being remembered or celebrated. Amrita came to Lahore not to be physically loved to death but rather for acceptance and artistic immortality. Amrita did not die on Champs-Élysées having soufflé; she lived on art's two-edged sword and died in Lahore. She loved this ancient city in so many ways. The city, as of this writing, is unable to pay her back with love.
Further reading
Amrita, our old neighbour
We occupied one flat in a group of flats that stood on Temple Road. They were owned by rich Hindu landlords who fled to India during the bloody partition. There were numerous residential buildings littered about the ancient city, one was Ganga Ram Mansions on the Mall and this is where Amrita lived and died.
Amrita Sher-Gil lived less than a kilometre away from where I spent my childhood and youth. I recall visiting a friend of mine who lived in flat number 20 of the Ganga Ram Mansions; twenty-five years earlier Amrita lived in flat 23. The layout of all the flats was the same: two rooms on the ground floor, a wooden staircase at the entrance that led straight up to two more rooms on the first floor, and an attic (baraasti).
 |
| Attic studio in Lahore |
Star-studded Lahore
Let us return to Amrita's story. Once done with decorating her flat at the Ganga Ram Mansions, Amrita turned it into a meeting place for a select group of people. She wholeheartedly participated in the cultural life of Lahore, gave talks on the radio (Lahore radio station was functional in 1937) and met as many interesting people as she could.
Amrita chose Lahore to give her art a chance to survive. The famed short story writer Rajinder Singh Bedi was born in Lahore and started his career as Mohsin Lahori but finally migrated to India after partition. Amrita Pritam Kaur spent her formative years in Lahore. Professor Ahmed Shah 'Patras' Bokhari, Kartar Singh Duggal, G.D Khosla and Mangat Rai (brother of Miss Mangat Rai the principal of Kinnaird College), artists Abdur Rehman Chughtai, Satish Gujral (eminent painter and brother of former Indian premier I. K. Gujral), and Roop Krishna, all lived here.
Amrita became friends with Nawab Muzaffar Ali Qizalbash, Jamil Asghar (later a High Court judge), Rashid Ahmed (married Zeenat Rashid and whose daughter married Senator Javed 'JJ' Jabbar) and Professor U. Karamet (the Vice Chancellor of the Punjab University would signed papers with 'OK–UK').
Lahore had become a melting pot of ideas and attracted poets and writers like Faiz Ahmed Faiz, Ahmed Faraz, Sahir Ludhianvi, Intizar Hussain, Sir Muhammad Iqbal and the rebel Saadat Hasan Manto. Many of them would assemble at India Tea House (renamed Pak Tea House after the partition of 1947). Lahore finally became a centre for Pakistan’s left-wing Progressive Writers Movement.
Nehru's biography
Jawaharlal Nehru allegedly had meetings of a very private nature with Amrita Sher-Gil at Lahore's Faletti's Hotel. He later sent her a copy of his autobiography. She thanked him with a candid note:
"As a rule I dislike biographies and autobiographies. They ring false. Pomposity and exhibitionism. But I think I will like yours. You are able to discard your halo occasionally. You are capable of saying, 'When I saw the sea for the first time,' when others would say, 'When the sea saw me for the first time.'
"I should have liked to know you better. I am always attracted to people who are integral enough to be inconsistent without discordance and who don’t trail viscous threads of regret behind them. I don't think that it is on the threshold of life that one feels chaotic, it is when one has crossed the threshold that one discovers that things which looked simple and feelings that felt simple are infinitely more tortuous and complex.
"That it is only in inconsistency that there is any consistency. But of course you have got an orderly mind. I don't think you were interested in my paintings really. You looked at my pictures without seeing them. You are not hard. You have got a mellow face. I like your face, it is sensitive, sensual and detached at the same time."
Testing the art scene
Amrita became an avid member of the city’s pre-partition cultural scene whose select members gathered fortnightly at Khushwant Singh’s home. He started his law practise in 1938 (the same year Allama Iqbal died in Lahore), joined the Indian Foreign Service in 1947 and went on to become a famed novelist and a journalist.
In late October 1937, Amrita decided to once again 'test the waters' of the Lahore art world by holding an exhibition of her works. On Sunday, 30th November, Amrita and Victor went to the site to make the final arrangements for the second week of December in the hall of the Punjab Literary League, above a fashionable café facing The Mall.
Excitedly Amrita commenced work on new paintings that would be displayed as the latest work. From her house, she could see some mud houses and a man with four buffaloes. This was her last painting; it showed her love for all things Indian.
The way Amrita worked
"If there were no poor and destitute people in India, I would have nothing to paint". —Amrita Sher-Gil (on her patient, submissive, fatalistic and silent subjects)
India's poverty, with its barely surviving people in primitive and inhuman conditions, seemed photogenic to Amrita. She was no revolutionary, only a keen observer who painted what she noticed minutely. All true artists possess this amazing quality.
Amrita painted during the day and used no artificial light. She wore a large painting coat and tightly tied her hair at the back. By the evening she would dress finely and become a glamorous socialite. Such was her energy that upon returning from her engagements, she would return to painting. Her output was twelve to fifteen paintings a year.
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| Amrita in her very tastefully decorated flat |
Amrita painted during the day and used no artificial light. She wore a large painting coat and tightly tied her hair at the back. By the evening she would dress finely and become a glamorous socialite. Such was her energy that upon returning from her engagements, she would return to painting. Her output was twelve to fifteen paintings a year.
A sudden end
On Wednesday, 3rd December 1941, Amrita became very ill with what she, and her doctor husband thought, was dysentery. Dysentery in India being quite common, neither of them suspected a fatal illness.
She lay in bed, looking very pale with a greenish tinge to her, with Victor frantically attempting to make her feel well again. When all efforts failed, Amrita slipped into a coma, but not before mumbling something about colours.
Two other doctors examined her; they felt it was 'too late'. Severe dehydration and peritonitis had already perforated her intestines, and nothing else could be done.
Two other doctors examined her; they felt it was 'too late'. Severe dehydration and peritonitis had already perforated her intestines, and nothing else could be done.
Just after 11 p.m., as a last desperate effort, Victor ran to fetch another well-known physician; by the time they returned, Amrita was already dead. He told Victor, "Had you called me just a day earlier we could have saved her". These words would haunt Victor forever.
The last rites
The last ritesAmrita planned to hold her first major solo exhibition at Faletti's Hotel in late December of 1941 but she died on 6th December, aged only 28.
The next day was a cold Sunday. Amrita's parents wanted a Sikh style funeral. Her body was carried to the burning ghat on the banks of the river Ravi. The ceremony was attended by her parents, sister Indira and her husband Kalyan Sundarm. Also included in the forty friends was Khuswant Singh.
Amrita's body was laid on a pile of chopped wood and some sandal wood sticks and ghee (clarified butter) were added. Victor lit up the fire. The last rites were performed by a devastated Umrao Singh who had nurtured her as a child, read her fiery mind and was now watching the funeral pyre with the following parting words on his lips:
"She had entered the prenatal world at Lahore and death seemed to have conspired with life to release her spirit from its physical chrysalis in the same city."
Amrita was a shooting star, misunderstood as she blazed across the horizon of art and scattered after death. Her ashes were collected and cast into river Ravi.
The usual suspects
Amrita had been at Sir and Lady Abdul Qadir’s home for tea; some speculated that the pakoras caused food poisoning. Yashodhara Dalmia writes:
A comment made on Arif Rahman Chughtai's article shows that "Amrita died in the first floor room. The top of the house had a barsaati on the roof that was her studio. She made her last painting sitting there. The ground floor was the dispensary and the consultation room of her doctor husband."
Being of mix parentage, Amrita felt she owned both the worlds of art and sexuality. The Bohemian life of artistic Paris fuelled Amrita's sexual urges in the wrong directions, leading her to be called in hushed tones, a 'nymphomaniac'. The citizens of Lahore suspected Victor of 'poisoning her to death' because he was 'unable to satisfy her sexually'.
Khuswant Singh on Amrita Sher-Gil
A prominent Indian novelist and journalist, Khuswant Singh (1915-2014) penned the famous column 'With malice towards one and all' and wrote the nostalgic novel 'Train to Pakistan'. In his autobiography, 'Truth, Love and a Little Malice', he recalled very unusual things about Amrita on pages 96 through 99. A synopsis is as follows:
The survivors
The case did not close with Amrita's death. To Marie Antoinette, victor was the murderer who also covered the cause of death. In a strange twist of fate, the day after Amrita's death, Britain declared war on Hungary and Victor was jailed as a 'national enemy'. He died an old man in 1997.
Marie Antoinette was devastated by young Amrita's sudden and mysterious death. After several failed attempts of suicide, on July 31st, 1948, she took the gun from Umrao Singh's study and shot herself. Her tragic fate reminds one of the allegedly promiscuous Marie Antoinette who faced the guillotine for high treason during the French Revolution.
After the sad death of Amrita and the unfortunate suicide of Marie, Umrao Singh Sher-Gil Majithia gradually lost his memory. He lived out his last few years with his second daughter, Indira, in Simla and Delhi. He died in Delhi in 1954 at the age of 84. His papers in Hungary once stated: 'no faith' and 'living in Majithia as a British citizen'. The truth is he died as a free Indian citizen.
Literature and the arts soften the blows of time, for some religion does it best. Just as children play and enjoy themselves after school and studies at home, grownups too, after having done their duties to God and fellow human beings, are allowed to channel energies into wholesome efforts. All work and no play, makes Jack dull; we can see dull Jacks (and Jills) all over this 'land of the pure'.
Amrita had been at Sir and Lady Abdul Qadir’s home for tea; some speculated that the pakoras caused food poisoning. Yashodhara Dalmia writes:
"Helen Chaman Lal found Amrita dying. Two doctors, Dr Sikri and Dr Kalisch, a German, were brought in and found that peritonitis had set in and her intestines had perforated. Around midnight on December 5, 1941 Amrita Sher-Gil passed away".
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| Indira (sister) in autochrome |
Being of mix parentage, Amrita felt she owned both the worlds of art and sexuality. The Bohemian life of artistic Paris fuelled Amrita's sexual urges in the wrong directions, leading her to be called in hushed tones, a 'nymphomaniac'. The citizens of Lahore suspected Victor of 'poisoning her to death' because he was 'unable to satisfy her sexually'.
Khuswant Singh on Amrita Sher-Gil
“If you don’t smoke, drink and womanise, you are a dangerous man”. —Khuswant Singh
Just as Amrita declined a prize in Simla, Khushwant Singh when decorated with the Padma Bhushan in 1974, returned the award in 1984 to protest against Operation Blue Star in which the Indian Army raided Amritsar's Golden Temple (Sikh Holy site). In 2007 he was awarded the Padma Vibhushan, the second-highest civilian award in India.
A prominent Indian novelist and journalist, Khuswant Singh (1915-2014) penned the famous column 'With malice towards one and all' and wrote the nostalgic novel 'Train to Pakistan'. In his autobiography, 'Truth, Love and a Little Malice', he recalled very unusual things about Amrita on pages 96 through 99. A synopsis is as follows:
"Her fame preceded her...she very beautiful and very promiscuous...Pandit Nehru succumbed to her charms...stories of her sexual appetite were narrated...she gave appointments to three or four lovers every day...
When I came home for lunch, I found Amrita in my apartment...helping herself to the beer from the fridge...wanted advice about carpenters, plumbers, tailors...
I couldn't look her in the face too long because she had that bold, brazen kind of look which makes timid men like me turn their gaze downwards...she was short and sallow complexioned (being half-Sikh, half-Hungarian)...had a bulbous nose with black heads showing...thick lips with a faint shadow of a moustache...
Politeness was not one of her virtues; she believed in speaking her mind, however rude or unkind it be...she called my son "an ugly little boy"...my wife described her as a bloody bitch...Amrita retorted, "I will teach that woman a lesson. I'll seduce her husband"...my wife declared our home out of bounds for Amrita...
Amrita's mother got the details of her daughter's illness and death and held her nephew and son-in-law responsible. She bombarded ministers, officials, and friends (including myself) with letters accusing him of murder.
Dr Raghubir Singh, then a leading physician of Lahore, was summoned to Amrita's bedside at midnight when she was beyond hope of recovery...she had become pregnant and been aborted by her husband. The operation had gone wrong. She had bled profusely and developed peritonitis. Her husband wanted Dr Raghubir Singh to give her a transfusion and offered his own blood for it. Dr Raghubir Singh refused to do so without finding out their blood groupings. While the two doctors were arguing with each other, Amrita slipped out of life.
Badruddin Tyebji has given a vivid account of how he was seduced by her ("she simply took off her clothes and lay herself naked on the carpet by the fire place"). Vivan admits to her having many lovers. According to him her real passion in life was another woman."
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| L'Holme - The Majithia residence in Simla |
The case did not close with Amrita's death. To Marie Antoinette, victor was the murderer who also covered the cause of death. In a strange twist of fate, the day after Amrita's death, Britain declared war on Hungary and Victor was jailed as a 'national enemy'. He died an old man in 1997.
Marie Antoinette was devastated by young Amrita's sudden and mysterious death. After several failed attempts of suicide, on July 31st, 1948, she took the gun from Umrao Singh's study and shot herself. Her tragic fate reminds one of the allegedly promiscuous Marie Antoinette who faced the guillotine for high treason during the French Revolution.
After the sad death of Amrita and the unfortunate suicide of Marie, Umrao Singh Sher-Gil Majithia gradually lost his memory. He lived out his last few years with his second daughter, Indira, in Simla and Delhi. He died in Delhi in 1954 at the age of 84. His papers in Hungary once stated: 'no faith' and 'living in Majithia as a British citizen'. The truth is he died as a free Indian citizen.
Dead artists are rich artists
Amrita is the paternal great-aunt of Indian actor and painter, Jimmy Sher-Gil. Recently Amrita's 1933 self-portrait sold for a record Rs 18.2 crores ($2.9 million) in India, the third most expensive work of Indian art to be sold at an auction. India declared Amrita a national treasure artist in 1976, which means that her work cannot leave the country. She did not, like most artists, live to enjoy the fruits of her efforts.
Works by Amrita are very hard to come by since most are in possession of her descendants and the National Gallery of Modern Art in Delhi. The only painting by Amrita Sher-Gil that hangs in Lahore Museum is the Veena Player.
Pakistan need not go to war with India to recover Amrita's art; we still have Kashmir to fight over. One hopes that the Sikh pilgrims who regulary visit Pakistan will petition our government to recognise Amrita as a national treasure. This being an 'Islamic Republic' will never have Amrita's statue placed on The Mall of Lahore, however, affixing a Heritage Plaque at her house to read "Residence of Amrita Sher-Gil" is the cheapest risk-free option.
What has Amrita taught us?
Amrita, as most artists do, showed us that creating art is a lonely and serious process that requires shedding of sweat and tears if one desires to occupy a high place in the art world. As a gifted but vulnerable artist she took huge chances with her body and soul but ended up being utterly misunderstood. Amrita's sensitive soul often guided her to a dark and destructive path that challenged the accepted standards of society.Amrita is the paternal great-aunt of Indian actor and painter, Jimmy Sher-Gil. Recently Amrita's 1933 self-portrait sold for a record Rs 18.2 crores ($2.9 million) in India, the third most expensive work of Indian art to be sold at an auction. India declared Amrita a national treasure artist in 1976, which means that her work cannot leave the country. She did not, like most artists, live to enjoy the fruits of her efforts.
Works by Amrita are very hard to come by since most are in possession of her descendants and the National Gallery of Modern Art in Delhi. The only painting by Amrita Sher-Gil that hangs in Lahore Museum is the Veena Player.
 |
| Sardar Umrao Singh Majithia taking a walk |
Pakistan need not go to war with India to recover Amrita's art; we still have Kashmir to fight over. One hopes that the Sikh pilgrims who regulary visit Pakistan will petition our government to recognise Amrita as a national treasure. This being an 'Islamic Republic' will never have Amrita's statue placed on The Mall of Lahore, however, affixing a Heritage Plaque at her house to read "Residence of Amrita Sher-Gil" is the cheapest risk-free option.
What has Amrita taught us?
Literature and the arts soften the blows of time, for some religion does it best. Just as children play and enjoy themselves after school and studies at home, grownups too, after having done their duties to God and fellow human beings, are allowed to channel energies into wholesome efforts. All work and no play, makes Jack dull; we can see dull Jacks (and Jills) all over this 'land of the pure'.
Artists and writers live and die by their brush-strokes and pens. Amrita Sher-Gil was neither a bureaucrat nor a politician but rather a creator in a world full of empty-headed onlookers.
 |
| Amrita Sher-Gil |
Daggers drawn, but why?
Religious or political ideologies need not close our minds to the beauty that is in everyone and everything, beauty created by the Exalted Creator and Bestower of forms (al-'Alī, Khāliq, Musawwir). Only those misunderstand art whose eyes cannot fathom abstraction, symbolism, geometry and other disciplines. What is not understood is always feared in repressed societies.
More damage is being done today to mankind through bad policies of governance than vulgar art. The inartistic, unintelligent and ugly pictures painted by some insecure ones in Pakistan and India continue to divide the people through a severe deadlock in all avenues of trade and arts. Fear of the 'other side' is destroying appreciation and lack of healthy artistic expression is stunting the growth of entire cross-sections of societies. Without art and artists, what is any country if not an ugly factory for slaves? The war being waged on art and artists is not expected to end any time soon.
Lahore, the last stop
Lahore, the last stop
Amrita's broad forehead indicates she was generous and intelligent, her lips show she was full of life and love. As for her flirtatious nature, this was due to the example set by her mother, the neglect of her apparently religious and philosophical father, the overly liberal education, the upheavals of time, and the wounds inflicted by society.
One could say that some are born crooked but it is clear from Amrita's story that society's crooked factory does produce many faulty products. One might be born a saint but it is certainly the upbringing and the company that turn one into a devil.
If one were to speak to the elected custodians of our State, they will cringe at Hindu or Sikh names being remembered or celebrated. Amrita came to Lahore not to be physically loved to death but rather for acceptance and artistic immortality. Amrita did not die on Champs-Élysées having soufflé; she lived on art's two-edged sword and died in Lahore. She loved this ancient city in so many ways. The city, as of this writing, is unable to pay her back with love.
-- concluded --
©Tahir Gul Hasan, 2017Further reading
Iqbal In Love With Emma Wegenast
The Artistic Youth Of Amrita Sher-Gil
The Fantastic Growth Of Amrita
DISCLAIMER
No one must misconstrue the information presented here about Amrita Sher-Gil and other persons mentioned as disinformation or insults. All the information was meticulously collected (after cross-checking) from numerous sources on the internet (without the use of proxy servers in Pakistan). If you feel something here needs to be amended, please email me the suggestions with believable references. Until then, whatever is written here shall be considered correct.
Acknowledgement
If I were to list all the references the old-fashioned away right here, this article would be twice its current size. The web links (URLs) have been included in the text. Just click on the words in blue colour and you will reach those other pages that contain either the text used (after laborious editing) or more information. I visited hundreds of web sites while researching for material on Amrita Sher-Gil. Omissions, if any, were unintentional. I thank those from whom obtaining permission to use some images was either impossible or who did not respond to my requests.
See paintings by Amrita HERE
Photos B1, A, F in my folder
The Artistic Youth Of Amrita Sher-Gil
The Fantastic Growth Of Amrita
DISCLAIMER
No one must misconstrue the information presented here about Amrita Sher-Gil and other persons mentioned as disinformation or insults. All the information was meticulously collected (after cross-checking) from numerous sources on the internet (without the use of proxy servers in Pakistan). If you feel something here needs to be amended, please email me the suggestions with believable references. Until then, whatever is written here shall be considered correct.
Acknowledgement
If I were to list all the references the old-fashioned away right here, this article would be twice its current size. The web links (URLs) have been included in the text. Just click on the words in blue colour and you will reach those other pages that contain either the text used (after laborious editing) or more information. I visited hundreds of web sites while researching for material on Amrita Sher-Gil. Omissions, if any, were unintentional. I thank those from whom obtaining permission to use some images was either impossible or who did not respond to my requests.
See paintings by Amrita HERE
Photos B1, A, F in my folder
14 comments:
TGH,
Thank you for your splendid article on Amrita. I did not know anything at all about her .The article itself is beautifully written & I was literally spellbound by it!
Your research is impeccable.
She is really very pretty indeed in the pictures & anyone would succumb to her charms .I am not surprised at all that Pundit Nehru & many others were smitten by her charms.She is charming & was definitely a "flawed genius".It is such a shame that she died so early & tragically. We humans are a mixture of genes which we inherit from our parents( the flirtatious nature,the promiscuity,the reckless behaviour ) and environment(the neglect of her religious education by the father,the liberal education,the effect of the parisian society) & the cocktail can be fatal & was in her case. Many a flawed geniuses have fallen prematurely in their stellar careers exactly because of this .I will quote a few example that I know of : Zulfiqar Ali Bhutto,Elvis Presley, Michael Jackson ,Whitney Houston ,Prince,George Michael, Whiteney Houston, Heath Ledger. The list is endless !
As Obi Van Knobe famously says in the Hollywood movie Star Wars: " He/She was seduced buy the dark side of the force!".
Please keep on writing such lovely articles.
Kind Regards
GM buddy, thanks for your liberal comments. I hope you read all three articles.
Even minds like Bhutto can be led into (entrapped) situations that we later see as silly or vindictive. Sometimes when we fixate on the lamp, we don't notice the deep shadows around it.
As for the 'stars' you mentioned, if you research their deaths, you will notice great darkness surrounding them.
Complex woman. Intricate study and well researched article. All three articles bring the character back
to life.
Finally TGH thanks for a rewarding read...and HMMMM Temple road...OK..will find you soon...and that Nawab Qizilbash connection...Being a Lahorite myself 20 empress road ..nawab palace ( the adjacent bunglaow) was/is BaBa Jafri's house where I spent visiting several cousins ...The house was given to BaBa Jafri and and is now with the Third-fourth generation. BaBa Jafri was first principle of Islamia college and was Nawab and Nawab's fathers tutor.
KFYKN bro, I'm glad you re-connected to Lahori history through these articles. I always thought you were from Kolachi.
It is nice to know about Syed Mohammed Ali Jafri and your Empress Road residence.
The trader-rulers have destroyed this city and made it unrecognizable with all those flyovers and underpasses.
Great conclusion to the series! Especially loved the bit about art and society: "Without art and artists what is any country if not an ugly factory for slaves?"
Thanks for such a well written and well researched piece of writing.
I was led here in my pursuit of details on the life of Amrita, of which you've covered quite a bit. But I also enjoyed your reflections and ruminations on life, art, politics etc. I share your views, especially that we should preserve our history regardless of prejudices, politics etc. And yes, we need pegs of all shapes and colours - round, square, even odd shaped ones. An eclectic mix makes life interesting, creates stories worth telling, worth passing from generation to generation.
Best regards from India.
Praveen, thanks very for reading, commenting and enjoying what needed to be said. Sadly the books never tell the (w)hole story.
In this toxic environment of government officials meeting to hammer out differences that they've been creating, to have someone drop in a few lines (without crossing the border) is indeed a kind gesture. May saner heads prevail and my we all reap the benefits of regional and global peace. Stay blessed.
Hello!
Like most of the delhi right now, i was also sitting in my home since a few days quarantining. Since there's no college and nothing much to do i was reading about art, about Frida Kahlo and from nowhere i don't know how i stumbled upon Amrita sher Gil. I was very intrigued and curious about her so I tried reading about her on wikipedia but couldn't find much and then your article showed up in my searches as a ray of hope. I read the whole article and i must say that it is so well researched and well written that the reader feels so quenched after reading it.
Me Being very much interested in India- Pakistan relations, pre partition history and in Pakistan as a whole enjoyed your article a lot. I just love the fact that there's so so many things which are common in both the nations, same shared history yet the people seem to forget this. Your article prooves that art has no nationality, it's history can never be wiped out completely and the true admirers of art and history will never let it be forgotten.
Thankyou so much for writing this article. Thanks to you that i finally know who Amrita sher Gil was and i will surely visit the museum to see her art.
Take care and wash your hands frequently :)
Thank you.
S. Gupta
Via email, Mar 22, 2020, 2:04 AM
Wonderful article about Amrita. I have been searching for her on Google, but couldn't find this much information before. Thanks for sharing with us.
Taxi & PayPal, thank you both for your kind comments. I'm glad you enjoyed the article.
Amrita lived a fascinating life. Thank you for sharing her story with us!
Crypto & gold, thanks.
It's heartbreaking to reflect on the tragic death of Amrita Sher-Gil, an artist whose brilliance was cut short far too soon. Her paintings carried a rare depth, capturing the soul of India with sensitivity and originality. At just 28, she had already achieved so much, blending Western artistic techniques with the essence of Indian life. One can only imagine how her talent would have evolved had she lived longer.
Beyond her art, Amrita’s personal journey—marked by struggles with identity, societal expectations, and emotional challenges—reminds us that even the brightest talents are not immune to inner battles. Her death is a poignant loss not just for the art world, but for all those who seek beauty and truth in creativity.
Her legacy, however, continues to inspire and provoke thought. May her life and work be a reminder of the need to nurture artists and their mental well-being, while celebrating the richness they bring into the world.
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